Simpson’s is not simply a restaurant, but a collection of rooms, each with its own character and story. Among them, tucked discreetly beneath the bustle of theatreland, is Nellie’s Tavern. Our late-night bar, which is open until 3am, is very much a stage of its own.
Overseen by a portrait of Dame Nellie Melba — the great soprano whose voice once defined an era — Nellie’s is known for its sense of flair. Rich velvets, oxblood-coloured leather, and low-lit corners create a space where the evening lingers, and where artists and audiences alike gather long after curtain call.
It has been a pleasure to observe Nellie’s as it becomes a haven for London’s creative luminaries. Among them is the opera singer Sarah Dufresne, who has performed roles once originated by Melba herself.
A Conversation with Opera Singer Sarah Dufresne
Sarah, you have performed in so many memorable roles over the years. What note gives you chills every time?
For me, it’s the very last line sung in Rigoletto — when Rigoletto cries, ‘Ah, la maledizione!’ It’s the end of the night, this raw outpouring of emotion: ‘Oh, why this curse?’ It gets me every time. I love that part.
For those who are new to the world of opera, which one should they intend to experience first?
I’d say The Magic Flute (Die Zauberflöte) by Mozart, or Carmen by Bizet. Both have melodies and songs that that everyone in the audience will absolutely recognise.
Is opera having a moment right now?
Yes, absolutely. Not just in operatic culture, but across pop culture too. You can hear it in contemporary music, for example. RAYE’s latest album has strong symphonic elements, and Rosalía even included an operatic track in her album.
What goes through your head right before you hit a big note?
Excitement, energy, adrenaline — maybe a few nerves. But mostly excitement. It’s the best feeling in the world as an opera singer.
Have you ever fumbled mid-performance?
Of course, small mistakes happen all the time. But as they say, the show must go on. You keep going and honestly, the audience rarely notices.
What would Dame Nellie Melba think of how opera has evolved?
I think she would love it. For my voice type, she was such a leader in soprano repertoire – a true icon. And now we’re seeing a new generation of icons emerge, carrying that legacy forward.
A Late-Night Encore
Nellie’s remains, at heart, a place for those who live for performance — whether on stage or simply in spirit. Long after the theatres empty, the room continues to hum with conversation, music, and the quiet sense that the night is not yet finished.
